How does mise-en-scène as defined by Stephen Prince frame acting choices
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Get it written →Submit a 1-2 page reflection on how directors and cinematographers shape acting in film using cinematography or production design. Choose from Akira Kurosawa’s Rashomon (1950; Criterion Channel) OR Robert Bresson’s L’Argent (1982; Criterion Channel).
These questions should help frame your response:
- How does mise-en-scène as defined by Stephen Prince frame acting choices?
- Are there examples of typage, theater, or Method acting in your film?
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