respond to FIVE OF THE FOLLOWING SIX pieces of ancient evide
respond to FIVE OF THE FOLLOWING SIX pieces of ancient evidence, labeling your response with the appropriate letter.Responses should aim for efficiency, being as brief but as detailed as possible.Please limit your responses to 350 words each (1,750 in total). You can track your word count by clicking on the ‘Rich-Text Editor’ link near the top right of the text-box, or by composing in a word processor and then copying and pasting your response.Bullet points are encouraged, so long as information is clearly presented. Accurate but insufficient responses will receive partial credit.1. Briefly summarize the geographic movement of sites of gladiatorial munera from the earliest games to those presented at the height of the empire. What was significant about this movement?2. Briefly summarize what a novice gladiator might encounter upon entering the ludus. Be sure to mention specific people, titles, regimens, etc.3. Discuss the structures built to facilitate audience viewing of Roman athletic events. How did these structures evolve over time, and what did they (come to) symbolize? In your response, mention at least one success and one failure (either category may be broadly construed) in accommodating spectators.4. Citing specific evidence wherever possible, compare and contrast popular perceptions of charioteers and gladiators. In your response, you may wish to consider such details as costume, payment, status, training, or moralizing responses from ancient audiences.5. Unlike Greek athletics, which went to great lengths to ensure each competitor faced nearly identical conditions, Roman sport often embraced carefully calibrated difference in the pursuit of both spectacle and novelty. Discuss some of the ways Roman sport was “fair, but not equal.”6. In what ways might a gladiator seek to gain fulfillment from his or her profession? Be specific and detailed, drawing from ancient evidence for support wherever possible in order to avoid simply projecting our current ideas and ideals upon past individuals.
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