LITERARY ANALYSIS ESSAY LIT1100 Introduction to Literature
First is a pdf, its the rubric for the [email protected]
Second is a doc, it's the outline you gave to me this past week. I added some modifications so that there was no plagiarism so please use the copy I have put in the files.
Third is a pdf about the guideline, please look over it.
You are writing a rough draft with a MINIMUM of 1,200 words!
You have plenty of time to work on this, so please take your time and do it good, its not due until April 14th.
again, NOOOO PLAGIARISM!!!!!
LITERARY ANALYSIS ESSAY RUBRIC LIT1100
LIT1100 Introduction to Literature University of Northwestern – St. Paul
NAME: _________________ GRADE: ________
CONTENT (50%) SUPERB GOOD DECENT POOR
Presentation of
Subject
Essay opens with
compelling attention-getter,
creatively drawing reader
into paper and effortlessly
leading into the thesis
Essay opens with a clear
attention-getter, drawing
reader into paper and clearly
leading into the thesis
Attention-getter is present
but struggles to engage
reader; transition from
opener into thesis is rocky
Attention-getter fails to
engage reader or is missing;
transition from opener into
thesis is abrupt
Thesis / POC Assertion is compelling,
precise and arguable;
restated consistently
throughout the paper
Literary element clearly
identified and perfectly suits
the purpose of essay and the
actual text
POC is insightful and
precise
Assertion is clear and
arguable; restated
consistently throughout the
paper
Literary element clearly
identified and mostly suits
the purpose of essay and the
text
POC is insightful, but
phrasing needs tweaking
Assertion is somewhat
clear and arguable and
restated consistently
throughout the paper
Literary element clearly
identified and mostly suits
the purpose of essay and the
text
POC lacks sophistication /
phrasing is imprecise
Assertion is vague or
confusing or unarguable /
restated inconsistently
throughout the paper
Literary element unclear /
inappropriate for the
purpose of essay and the
text
POC is unclear / missing
Argumentation Develops and supports
thesis masterfully through
specific, effective textual
examples and sound logic
Support is clearly
explained and connected to
thesis
Essay effectively
synthesizes ideas and blends
sources into the writer’s
structure of ideas to create
an interesting, full
discussion of thesis
Develops and supports
judgment through many
effective, relevant details,
examples and sound logic
Support is usually
explained and connected to
thesis
Essay adequately
synthesizes ideas and blends
sources into the writer’s
structure of ideas to create
an interesting, full
discussion of thesis
Develops and supports
judgment through some
relevant details and
examples, one or two
instances of faulty logic
Support is sometimes
explained and connected to
argumentation; in a few
places, writer spends too
much time summarizing text
Paper sometimes
synthesizes ideas and blends
sources into the writer’s
structure of ideas
Weak development and
support: lacks reasons,
contains irrelevant details,
ineffective examples or
logic is generally faulty
Support is inadequately
explained or connected to
argumentation; in several
places, writer spends too
much time summarizing text
Paper rarely synthesizes
ideas and blends sources
into the writer’s structure of
ideas
WRITING (50%) SUPERB GOOD DECENT POOR
Style Writing is superior to
collegiate-level in content,
arrangement and style,
showing rich variety and
elegance in its sentence
structures and word choices
Writing is more than
merely adequate for
collegiate-level work,
showing some variety and
elegance in its sentence
structures and word choices
Writing is adequate for
the collegiate level but
shows little variety and
elegance in its sentence
structure and word choices
Writing is not adequate
for the collegiate level; no
variety or elegance in its
sentence structure; word
choice is generally bland
and cliché
Organization Unified and consistent
pattern of organization with
an apt introduction, graceful
transitions and a vigorous
conclusion
Unified pattern of
organization with an
introduction, transitions and
conclusion
Displays a pattern of
organization with a
distinguishable beginning,
middle and end
Lacks a distinguishable
sense of order to the
content: no beginning,
middle or end discernable
Unity/
Coherence
Entire essay demonstrates
coherence and unity; essay
has a controlling and
sustained sense of purpose
& an exceptionally mature
level of thought
Entire essay demonstrates
coherence and unity; has a
controlling sense of purpose
and mature level of thought
for the most part
With only a few
exceptions, essay
demonstrates unity and
coherence; has some sense
of controlling purpose
Overall essay lacks unity
and coherence between
sections; purpose of essay is
nearly or completely
indistinguishable; lacks
maturity of thought
Mechanics Essay averages 1 error or
fewer per page (250 words)
Essay averages 2 errors
per page (250 words)
Essay averages 3 errors
per page (250 words)
Essay averages 4 or more
errors per page (250 words)
Citations Text is written in present
tense in entire essay. In-text
citations follow MLA
guidelines, and essay
includes a Works Cited page
For the most part, text is
written in present tense. In-
text citations mostly follow
MLA guidelines; includes
Works Cited page
Text is sometimes written
in present tense. In-text
citations overall struggle to
follow MLA guidelines;
Works Cited page contains
many errors
Text is not written in
present tense. In-text
citations overall fail to
follow MLA guidelines;
Works Cited missing
,
Surname
Jada Nelson
Introduction to LIT
Prof. Harrity
March 28, 2023
Ernest Hemingway, "Soldier's Home" (1925) Thematic Analysis
Literature uses language creatively to share the human experience and relationship with the environment supporting the effective presentation of literature's role in human experience. Literature effectively uses characters to depict individual, society, and community issues, resonating with real-world human experience and performance. For example, in Ernest Hemingway's "Soldier's Home" (1925), the author uses Krebs's experience and relationship with others after the war to depict fundamental human experience. In essence, the author uses the character to represent fundamental thematic concerns, including post-war and traumatic experiences, expression language, men's and women's relationships in society, lies, and society.
A motif of lying recurs in the shot society, presenting a notable presence in society and lies. The theme of lying appears several times throughout "Soldier's Home," which plays an essential role in the plot. While there are many indicators that the trauma of war has dramatically impacted Krebs and that his detachment, disaffection, and loss of a sense of self upon returning home stems from PTSD, the story more explicitly locates Krebs' issues as stemming from the fact that, upon returning home, to be listened to about all of his experiences in the war, he had to lie, and after he had twice, he had a reaction against the war and against talking about it too. While it may appear extreme to attribute such a loss of self to some essentially white lies, it is all the more reason to do so. Thus, lying and society are at the Centre of the short story's thematic presentation and articulation.
War and trauma are aspects of society that present personal, group, and community impacts. Similarly, "Soldier's Home" by Ernest Hemingway tells the story of a young soldier named Krebs who returns home after World War I. Though Hemingway does not explicitly narrate Krebs' emotions, the story's hard-boiled prose reflects Krebs' suppressed psyche: after the war, Krebs sleeps late, has little energy to talk to anyone, and wanders around his hometown. This disconnects between Krebs, and the people around him—his family, other soldiers, and the girls he watches from his porch—provides a critical window into how soldiers adjust, or fail to adjust, to life after war's traumatic experiences. In describing Krebs and his difficulties, the story implies that those struggles are a source of trauma as profound as any caused by the war. Therefore, war and traumatic experiences are central to the short story, presenting human actions and experiences.
Relationship between men and women is another critical aspect of human interaction and experience, depicting fundamental social collaboration and association. Consequently, Hemingway's portrayal of men and women conforms to what a modern reader might call rigid, sexist gender expectations. "Soldier's Home" is no different. While Krebs' inability to express his emotions can be attributed to war trauma, it also represents traditionally stoic masculinity that views emotional vulnerability as a weakness. On the other hand, the women in the story adhere to traditional notions of feminine emotionality. They also lack a sense of fleshed-out humanity—the town girls are nothing more than a "pattern" to Krebs, and the dialogue between Krebs' sister and mother does little to distinguish them as individuals. Thus, the short story depicts the fundamental impact of war on the relationship between men and women.
In conclusion, Ernest Hemingway, in "Soldier's Home" (1925), presents Krebs's experience and relationship with others after the war to depict fundamental human experience. The short story articulates themes such as post-war and traumatic experiences, language expression, men's and women's relationships, lies, and society. Thus, the short story employs creative language to share human behavior and experience, supporting relationships and human experiences.
Work Cited
Hemingway, Ernest. “Soldier’s Home.” Compact Bedford Introduction to Literature: Reading, Thinking, Writing (8th ed.). Ed. Michael Meyer. Boston, MA: Bedford/St. Martin’s, 2008. 165–170. Print
,
LIT1100 Introduction to Literature University of Northwestern – St. Paul
Rough Draft Guidelines
Writing a first draft can be overwhelming. A common feeling is that you are juggling all your ideas without clearly knowing where to start. Use these guidelines to help the drafting process go more smoothly. First, read through the instructor feedback on your outline and make notes as to what elements need to be altered in your writing plan. Next, think of each section of the paper – the introduction, body and conclusion
– as distinct parts that have different purposes.
Introduction – 1-2 paragraphs The introduction should be 1-2 paragraphs long, and its purpose is to introduce your readers to the topic of your paper. Remember, the topic is not only the text that you analyzed; it is also the literary element(s) that you will be discussing throughout the paper. Note: The thesis and forecasting statements should appear somewhere in the introduction, usually at the end. Body – several pages
Body paragraph model: all body paragraphs should follow this model
1. Topic sentence: Introduce the first point listed in the thesis that will prove the validity of your central idea.
2. Supporting details: Discuss the paragraph topic by weaving your interpretations and specific textual evidence together. You may quote, describe, summarize or paraphrase parts of the story that will develop your idea.
3. Concluding sentence: Use your own words to bring closure to the paragraph and signal the reader that you are moving on to your next point or sub-point.
As you write each body paragraph, remember the following: *Assume that your audience has read the story but not analyzed it deeply as you have. Do not retell the story; rather, cite specific detail from the story to support your ideas.
*Explain for your readers how the textual evidence you cite relates to your thesis: do not
merely cite detail from the story without connecting it to your ideas.
*Use a parenthetical reference with a page number after every sentence containing a reference from the story, whether directly quoted, summarized, or paraphrased.
*One main point might need several body paragraphs to fully develop it.
Conclusion – 1 paragraph The purpose of the conclusion is to bring closure to your essay by reasserting your central idea (thesis) and by summarizing the main points of the paper. The last sentence of the conclusion, and the essay itself, should be somewhat profound or ultimately conclusive because it’s your last chance to convince the reader that your central idea is valid. Note: you can use a quote from the story to end the paper if that feels appropriate.
LIT1100 Introduction to Literature University of Northwestern – St. Paul
The final step to complete before you draft your paper is to read the annotated student sample essay that illustrates each of the above guidelines. Once you have reviewed that sample, start writing!
Before you submit your rough draft …
Content Polishing
Don't lose sight of your thesis; it needs to be the focus of
your entire essay.
Avoid ever mentioning the reader of the essay or
addressing the reader ("you").
Avoid saying "In this essay I will prove," or "I will discuss"; avoid using "I" if possible.
Avoid slang, contractions or clichés.
Proofread and spell check your essay carefully–rough AND final drafts.
Essay Structure Polishing
Paragraphs should generally not be fewer than 5 sentences
or more than 10 sentences.
Use 12 or 14 point font (standard font like Times, Helvetica,
or Arial, etc.).
Double-space the paper.
Use 1” margins.
Do not put extra spaces between paragraphs.
DO indent new paragraphs a half inch (set tab).
Presentation Polishing
Come up with original titles (not “Literary Analysis Essay") that reflect your subject.
Do not underline, bold, or capitalize every letter of your title.
There is only one double-spaced return between the title and the beginning of your essay.
In the upper left-hand corner, provide the following information:
Name Professor Name Date Word Count
- Introduction – 1-2 paragraphs
- Body – several pages
- Conclusion – 1 paragraph
- Content Polishing
- Essay Structure Polishing
- Presentation Polishing
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