Name the four major voice types/vocal ranges. Question 2 What was the most frequent subject matter of secular music during the Middle Ages? Question 3 Name at least one difference betwe

Question 1
Name the four major voice types/vocal ranges.
Question 2
What was the most frequent subject matter of secular music during the Middle Ages?
Question 3
Name at least one difference between liturgical musical practice in the Catholic and Protestant churches of the Renaissance.
Question 4
Based on your textbook and our course lecture materials, define Ritornello Form.
Question 5
True or false:
Antonio Vivaldi is credited as the father of the concerto genre.
True
False
Question 6
The main theme of a fugue is called the __________.
Question 7
Name one notable female nineteenth-century composer.
Question 8
What was unique about Mozart’s Don Giovanni?
Group of answer choices
It combined elements of both Opera Buffa and Opera Seria
It was 10 hours long
It was a horrible flop
Mozart stole it from another composer and passed it off as his own
Question 9
The French Revolution signaled the transfer of power from the hereditary landholding aristocracy to whom?
Group of answer choices
the state
the middle class
the church
Question 10
Which condition profoundly affected Beethoven’s work as a composer?
Group of answer choices
deafness
blindness
paralysis
Question 11
How many symphonies did Beethoven write?
Group of answer choices
nine
forty one
over one hundred
Question 12
Beethoven’s music is rooted in the Classical tradition but pushes the limits of that tradition.
Group of answer choices
True
False
Question 13
List or describe three defining features of the symphony in the classical period.
Question 14
Match the work to the composer.
Group of answer choices
Ludwig van Beethoven
[ Choose ] George Frideric Handel Johann Sebastian Bach The Four Seasons Oratorio Moonlight Sonata Requiem
Antonio Vivaldi
[ Choose ] George Frideric Handel Johann Sebastian Bach The Four Seasons Oratorio Moonlight Sonata Requiem
Question 15
Explain the term Lied and name one composer associated with it.
Question 16
The main theme, heard transformed in each movement of Berlioz’s Symphonie fantastique, is called the:
Group of answer choices
idée fixe
subject
ritornello
Question 17
Berlioz was a devoted fan of Beethoven.
Group of answer choices
True
False
Question 18
Romantic composers rarely used dynamic markings and other expressive comments in their scores to communicate their intentions to musicians.
Group of answer choices
True
False
Question 19
Romantic-era melodies are best described as:
Group of answer choices
disjunct and difficult to sing
lyrical and singable
Question 20
Nationalistic feelings inspired Romantic composers to incorporate folk songs and dances from their native lands into their works.
Group of answer choices
True
False
Question 21
Musicians and composers achieved a higher social status during the Romantic era than they had in the Classical era.
Group of answer choices
True
False
Question 22
Write a couple of paragraphs that describe your favorite musical genre studied thus far in MUS 121. Indicate whether this genre comes from the Middle Ages, the Renaissance, the Baroque, or the Classic period in your answer. Discuss its salient traits in the course of explaining why you find it the most pleasurable.
II. Listening questions
Question 23
View the video at this link: https://drive.google.com/open?id=1HkZau5Trzcfdad78jiHCxiliTCNwvaq2&authuser=jonathan.r.lee%40unlv.edu&usp=drive_fs
and answer the following question:
What is the genre of this composition?
Group of answer choices
symphony
sonata
concerto
recitative
Question 24
https://youtu.be/M-v8mx_Jqu4
The video above is an example of which element commonly found in operas of the classical period?
Group of answer choices
Recitative
Aria
Chorus
Overture
Question 25
Referring to https://drive.google.com/open?id=1HkZau5Trzcfdad78jiHCxiliTCNwvaq2&authuser=jonathan.r.lee%40unlv.edu&usp=drive_fs. as the question above answer and the following question:
What is the form of this composition
Group of answer choices
sonata form
ritornello form
rondo form
trio sonata
Question 26
Watch the vide at this link: https://drive.google.com/open?id=1HmVRhMWPfzMQC7FZna5Kqhud81UVkrOR&authuser=jonathan.r.lee%40unlv.edu&usp=drive_fs
and answer the following question:
What is the genre of this work?
Group of answer choices
concerto
fugue
sonata
oratorio
Question 27
Listen to the sound file at this link: https://drive.google.com/open?id=1HtNd7xN1Y2e7UVTrdvycRbrfGQ_E74uM&authuser=jonathan.r.lee%40unlv.edu&usp=drive_fs
and answer the questions below.
1. What time period do you believe this example comes from? Why?
2. What genre of music best describes this example? Why?
3. Where do you think this example would be played? In public, private, or in church?
Question 28
Listen to the recording at this link: https://drive.google.com/file/d/1HpW8_pNLBgWUWAdGPOeZ0GXay–1n0ha/view?usp=sharing
and answer the following questions.
1. What time period do you think this example comes from? Why?
2. What genre do you think best describes this example? Why?
3. Where do you think this example would be played? In private, public, or in church?
Question 29
https://unlv.instructure.com/courses/131076/quizzes/473404/take#
Listen to this audio example from Beethoven’s fifth symphony. Is the famous four-note motive present in this example?
Group of answer choices
Yes, it is present, played by the horn and very softly in the celli and basses
Yes, it is present, played softly by the oboes.
Yes, it is present, played by the violins.
No, it is not present
Question 30
https://drive.google.com/open?id=1Hy9_f2SkU8rpidKYQOA2xkciCmuKofy-&authuser=jonathan.r.lee%40unlv.edu&usp=drive_fs
Listen to the example above from Beethoven 5, movement 1. Near the beginning of the recapitulation, a(n) ______________________plays a cadenza, which is a short solo passage played freely.
Group of answer choices
violin
oboe
timpani
contrabassoon
Question 31

The video above is an example of which element commonly found in operas of the classical period?
Group of answer choices
Recitative
Aria
Chorus
Madrigal
Question 32
https://unlv.instructure.com/courses/131076/quizzes/473404/take#
Listen to the four-note motive that is found at the beginning of Beethoven’s Fifth Symphony. What is its rhythm?
Group of answer choices
long-long-long-short
long-short-long-short
short-short-short-long
short-long-short-long
Question 33
https://unlv.instructure.com/courses/131076/quizzes/473404/take#
Listening Example: opening section from Piano Sonata Op. 27, No. 2, “Moonlight”
Listen to the example above and select all that apply.
Group of answer choices
the dynamic is very soft (pp; pianissimo)
this is composed in a major key
triplet figures (broken chords, or arpeggios) are played over a static-sounding lower line
this is composed in a minor key
the dynamic is loud (f; forte)

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