Describe their solo styles. Provide detail of how they phrase or create musical lines over the chord changes. What is your impression of this piece? How would you compare/contrast the solo s

The Metronome All-Stars, “No Figs” (Lennie Tristano), New York, January 10, 1950. Buddy DeFranco, clarinet; Kai Winding, trombone; Lee Konitz, alto sax; Stan Getz, tenor sax; Serge Chaloff, baritone sax; Billy Bauer, guitar; Lennie Tristano, piano; Eddie Safranski, bass; Max Roach, drums. [Columbia: 40972, 1942-51, c1987] Topic 1: The order of solos in this piece is: Konitz, Getz, Winding, DeFranco, Chaloff, Tristano. Regarding the solos of Konitz, Getz, and Winding: Describe their solo styles. Provide detail of how they phrase or create musical lines over the chord changes. What is your impression of this piece? How would you compare/contrast the solo style of Konitz (0:29-0:42) with that of Johnny Hodges (“Never No Lament” from the Lesson 5 Supplementary Recordings)? How would you compare/contrast the solo style of Winding (1:03-1:24) with that of Joe Nanton (“Ko-Ko,” the Lesson 5 Supplementary Recordings)? How does the cool style of these soloists differ from their bebop and swing counterparts? Do you hear similarities between cool and bebop?