Write an Essay on Cross Cultural Issues in Craft course. Choose any Topic from given list. Need 2000+ words, please no plagiarism and be on time. Requirements: CrossCulturalIssuesinCraftAssi
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Write an Essay on Cross Cultural Issues in Craft course. Choose any Topic from given list.
Need 2000+ words, please no plagiarism and be on time.
Requirements:
CrossCulturalIssuesinCraftAssignment3EssayAlistofpossibletopicsisprintedbelow.Essayswillnotbeacceptedthatareontopicsthathavenotbeenapproved.Youmaynotusetextbooks,encyclopedias,lecturenotes,requiredreadings/filmsormaterialfromwebsitesthatdonotprovideendnotesorfootnotes.Craftmagazinesareacceptableaslongasthey?reproperlyreferenced.Ifindoubt,consultme.Essaysshouldbe2,000-2,500wordslongandshouldincludeimages.Latepaperswillbepenalized2%perday,includingweekends.Papersmusthavereferences(footnotesorendnotes)forallmaterialthatisnotcommonknowledge,aswellasforquotations.TheMLAStyleManualsshouldbeusedandreferencesmustincludepagenumbersforthefactorquotationcited.Youmustretainallresearchnotesanddraftsuntiltheendofthecourse.PlagiarismPlagiarismisaseriousacademicoffence.Assignmentsthatcontainanyevidenceofplagiarismmaybegivenagradeof?0?andadditionalpenaltiesalsomaybeimposedbytheUniversity,includingexpulsion.Allnotesanddraftsfortheessaymustbekeptuntiltheendofthecourseincasethereisasituationrequiringyoutoprovethattheessayisyourwork.Ifyouhaveanyquestionsaboutplagiarism,speaktotheinstructorbeforesubmittinganassignment.EssayTopics(ChooseONE)1.Interviewaprofessionalcraftsperson(onewhomakestheirlivingthroughmakingacraftandmaysupplementincomebyteachingorwriting).Theessayshouldincludeabriefbiography,descriptionoftheirpracticeandexamplesoftheirworkincludingimages.Recordtheinterviewsothatyoucanincorporatetheartist?swordsinyouressay.Describehowthecraftspersonaddressesoneofthethemesofthecoursee.g.race,gender,sustainability.2.Chooseacraftpracticethatispartofyourcultureorheritage.Describeitshistory,elements,processandpractitioners.Ifpossible,speaktosomeonemaintainingthepractice.Discusshowthecraftanditspracticeconnecttoissuesinthiscourseandgiveexamplesofthework,includingimages.3.Textileshavebeenusedforpoliticalpurposes.Selectexamplesdatingfrom1970tothepresentandconsidertheirdetails:maker,materials,size,numberofpeopleinvolved,themeorcauseforwhichtheyweremade.Includeimages.Considerwhetherthework?smessagewassuccessfuland,ifitwas,why.4.DescribetheprinciplesoftheAmericanArts&Craftsmovement.Researchandwriteaboutfurnituredesigned/madebytheShakers,GustavStickley,FrankLloydWrightandtheGreeneBrothers.Brieflydiscussthedesignersbutconcentrateonthedesigns,materials,coloursandthebuildingsthefurniturewasintendedfor(ifapplicable).Showhowthe
furnitureexemplifiesArts&Crafts.5.DiscusstheappropriationofmotifsfromIndigenousartandcraft.Selectexamplesfromfourdifferentcultures;provideimages.ConsidertheroleofsocialmediaandreflectonwhetheritispossibletoprotectthesymboliccopyrightofmotifsattributedtoIndigenouspeoples.6.Craftisgendered.Researchseveralculturesinwhichcertaincraftsareproscribedasmaleorfemale.Thenprovideexamplesofwomenandmenwhohavegoneagainstsocialnormsregardingwhodoeswhat.Considerthedifficultiesofgoingagainstthegrain.Practicescanbetraditionalorcontemporary.7.Craftpracticeproducesstuff.Howcanapractitionerensurethattheirpracticeissustain-ableandtheirworkisnotmorelandfill?Addressthistopicbycarefullyreviewingtheliteratureonsustainabilityandapplyingitspecificallytoyourpractice.Describeprocessesandworksinyourportfoliothatyouconsidersustain-able.Yourviewsshouldbebackedupbyscholarlyresearch.8.Racialidentityinspirestheworkofcraftspeopleworldwide.Selectsixpractitionerswhoseracehasadirectbearingontheirdesignsand,whereverpossible,usedirectquotationsaboutthisthemefromthemaker.Discusstheworkbymeansofwordsandimagesandconsiderwhypublicdisplayoftheworkisimportant.
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