How is narrative structure used in The Pursuit of Happyness

Narrative Structure: How is narrative structure used in The Pursuit of Happyness? Does the film obey the rules of Aristotelian storytelling, or does it play with cinematic time, space, and character psychology? Does it play with order, duration, and/or frequency? Does it use a diegetic or nondiegetic narrator, or does it use a narrative surrogate?

Narration: What is the range and depth of the narration in The Pursuit of Happyness? 

Style: How does Gabriele Muccino make use of mise-en-scene, cinematography, editing, and sound?

Culture: What is more important—Muccino’s authorship or Will Smith’s star iconography? Does the film belong to a particular genre? You may want to compare The Pursuit of Happyness with another Will Smith film, perhaps King Richard (Renald Marcus Green, 2021). How has Will Smith’s conduct at the Oscars last year changed audiences’ perception of him in The Pursuit of Happyness? His his extra-textual social media presence interfered with how he functions as a star in his films?

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