American painting’s issue with subject matter
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1. This introduction explains American painting’s issue with subject matter….. What does this mean to you? Use examples from the intro.
2. Explain why Raushenberg insisted that he erase a piece by Willem de Kooning for his masterpiece Erased de Kooning.
3. This film is full of art speak and that makes it difficult for non artists, (and sometimes artists), to understand. You get to hear the original artist speak about their own art in their own words and in their own time. Why is this better / worse then previous films? Which painter explained his approach, or the approach of the modern / post modern artist, the best? What did they say that helped you understand?
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