Describe how Spike Lee breaks CONTINUITY and increases tension and anxiety by crossing the AXIS OF ACTION
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Get it written →Describe how Spike Lee breaks CONTINUITY and increases tension and anxiety by crossing the AXIS OF ACTION and blending ELLIPTICAL EDITING and OVERLAPPING EDITING in this clip from He Got Game:
Now compare Lee’s use of DISCONTINUITY with Jean-Luc Godard’s Breathless (1960). Does Godard violate GRAPHIC RELATIONS, RHYTHMIC RELATIONS, SPATIAL RELATIONS, and TEMPORAL RELATIONS more than Lee?
How is SOUND used in He Got Game and Breathless?
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