BEDROOM / BATHROOM PROJECT PART 1 Focus: Developing Design Concepts Format: Digital – PowerPoint Instructions: Develop and Prepare (3) Written Design Concepts for a Master Bedroom Suite – You
BEDROOM / BATHROOM PROJECT – PART 1
Focus: Developing Design Concepts
Format: Digital – PowerPoint
Instructions:
Develop and Prepare (3) Written Design Concepts for a Master Bedroom Suite – You must use the “What, Why & How” Method presented in class
You have (3) different clients (see Client Profiles below)
Each client/project will have its own unique Design Concept
You will use your Design Concepts to make selections and provide an overall design scheme for each client
You will find images of all of your selections and include in your presentation
You will create (3) Schemes and present in a digital format.
Design/Presentation requirements are below:
Bedroom Materials/Finishes: Ceiling/Walls/Floors/Window Treatments
Bedroom Furniture Selections: Bed, Nightstands, Dresser, Art/Accessories, TV
Bedroom Light Fixtures
Bathroom Materials/Finishes: Ceiling/Walls/Floors/Millwork (counter & cabinets)
Bathroom FF&E Selections: Tub, Sinks, Shower & Sink Fittings, Lighting
Your new clients:
The Wagner’s – Scott and Ella are a young married couple who just purchased a townhome in the Heights area of Houston. He works in finance, and she is a Dr. They prefer clean lines, not a lot of “fluff” but want their home to be comfortable and inviting. The bedroom and bathroom need to have a relaxing “get away” feel as they both work long hours. They have no children.
Ryan Humphrey – Ryan is 29 years old, single and works as an internet gaming programmer. He has just purchased a 3-bedroom home in Colorado. He likes to collect modern art and is not opposed to color. There will be no TV in his bedroom, and he prefers silver/chrome over brass finishes and leans towards a more modern aesthetic.
The Davidsons – Cindy and Greta are a retired couple who love nature and being outdoors. They love to garden, reading a good book and also like to go on long walks and sit in the sun with their grandchildren. They prefer neutral colors that reflect the outdoors but no florals in their décor and would like their bedroom and bathroom to be luxurious and stylish.
Remember, you need to think about how you would like the bedroom to function, and what your “concept” would be. Think about seating areas, sleeping area, storage, dressing area, etc. This is your opportunity to be creative!
What is your concept statement? What is the programming? (Here are some questions to ask)
• What size bed? • What types of furniture needed? (Headboard, dresser, lounge chair, rug, etc.)• Comfort level and design style (contemporary, traditional, transitional)• Lighting and TV requirements?• Accessories?
You will:
• Take the plan that was given to you and research and decide what furnishings you would like to propose for each client.• Create a Programming slide identifying needs and requirements and your solutions.• Create a brief Concept Statement slide summarizing your design intent. This statement should also communicate the mood or feel you are attempting to evoke. • Create a “working” presentation of your suggestions to review. This will consist of several slides with your suggestions.
Note: This will be a power point presentation. We will have meetings to review your ideas before your final presentation to the class. You should have 3 items to present: Concept Statement, Programming, and several slides of your plan for each of your three clients. Include all slides together with Your Name, Class Assignment and Dateon your first slide for each client.
Considerations
Remember to be inspired by who your clients are and what they are interested in, but also remember they hired you for your expertise and your CREATIVITY!
You can include inspirational images in your presentation that represent your design concept, but you cannot include any completed interior/room images.
You must include: your written Design Concept, images of all required Materials/Finishes and FF&E and inspirational concept images. For all (3) clients/projects.
FURNITURE WEBSITES FOR RESEARCH
Furniture
http://www.centuryfurniture.com/
http://www.vanguardfurniture.com/
http://www.christopherguy.com/catalogue.php
http://www.zuomod.com/en/modern
http://www.bernhardt.com/interiors.php
http://www.kohlerinteriors.com/baker/index.jsp
http://www.knoll.com/knoll_home.jsp
http://www.noirfurniturela.com/
Fabrics and Wallcovering
www.ralphlaurenhome.com
Lighting
http://www.stonegatedesigns.com/
http://www.sonnemanawayoflight.com/
Accessories
http://www.arteriorshome.com/shop.aspx
Bathroom
Chapter 14
Professional Practice
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Career Paths of the Emerging Designer
Paths include both entrepreneurial as the independent practitioner at work seen here drafting or working for an employer
Chapter 14
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1
Legislative Impact on Interior Design
Types of Interior Design Legislation vary; some examples are:
Certified Interior Designer
Licensed Interior Designer
Permitting Statute
Practice Act
Registered Interior Designer
Title Act
Chapter 14
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2
Legislative Impact on Interior Design
Map depicts a snapshot view of current legislative impact on North America
Chapter 14
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3
Types of Employment
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4
Range of jobs exist for the beginning interior designer or student looking for work:
Intern
Junior Designer or Design Assistant
CAD Operator
Renderer / Model Builder
Resource Librarian
Showroom Assistant
Sample Desk Receptionist
4
Types of Employment
A small interior design firm (Left); A large firm with cubicle arrangement for offices (Right)
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Types of Employment
Steelcase collaboration series known as the “Campfire Series” (Left) ; Steelcase’s videoconferencing collaboration through its media:scape series (Right)
Chapter 14
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Marketing and Promotion
Branding: a popular term to describe the comprehensive way of presenting a clear and consistent message of what you have to offer
Includes your resume (chronological or functional), cover letter, and portfolio
Portfolio types: book format with digitally created images printed on paper or easel portfolio
Chapter 14
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Marketing and Promotion
Published by Fairchild Books, an imprint of Bloomsbury Publishing Inc. Copyright © Bloomsbury Publishing Inc. 2013
A project, especially showing materials, appears (and feels) very differently traditionally and digitally
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8
Operating a Design Business
Business Structures:
Sole Proprietorship
May include a DBA (doing business as)
Partnership
Corporation (several types)
Corporation
Subchapter S corporation
PC (professional corporation)
LLC (limited liability company)
LLP (limited liability partnership)
Independent Contractor
Chapter 14
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9
Operating a Design Business
Business Plan Highlights:
Introduction
Marketing
Financial Management
Operations
Executive Summary
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Operating a Design Business
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Basic Elements in a Letter of Agreement with a Client
Scope of the project
The parties and their responsibilities
Services to be rendered, by project phase
Third-party services
Terms for payment of goods
Compensation for services
Contract time frames
Ownership of documents
Rights to photograph and publicize
Termination terms and arbitration clause
Signature and dates of acceptance
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Professional Relationships
The designer and client
Third-party arrangements
Architects; engineers; general contractors; subcontracted labor; specifying agents; and consultants
Vendors and Suppliers
Chapter 14
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Fee Structures
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“Time is Money”
There many ways to charge including combinations of any of the following types:
Hourly Fee
Per Diem, or Daily, Rate
Flat, or Fixed, Design Fee
Square Footage, or Area, Fee
Cost-Plus, or Cost Plus Percentage
Retail Basis
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Fee Structures
Many retail stores retain interior designers on staff as an incentive to customers.
There are many Interior designers who are also retailers, such as Bunny Williams and Vicente Wolf
Chapter 14
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Fee Structures
A two-part invoice to a client: cost plus percentage and flat hourly fee for design consultation
Chapter 14
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Relationship with Suppliers
Application for a trade showroom account is shown
Accounts may be open, or Net 30 depending on the credit extended to the designer
Chapter 14
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Relationship with Suppliers
Supplier (trade showroom) pad for use in requesting memos (large samples loaned) and cuttings (swatches)
Chapter 14
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Relationship with Suppliers
Published by Fairchild Books, an imprint of Bloomsbury Publishing Inc. Copyright © Bloomsbury Publishing Inc. 2013
Designers are often provided with a trade discount e.g. 40% or 5/10 code generally for fabric
Sample 5/10 code on a fabric price tag. Net (cost for designer) in this example would be $55.10 a yard
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Relationship with Suppliers
Supplier Quotation – quote- sample may also be called an Estimate or a memorandum
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Janet Goodman ESTIMATE
Wallcovering
Houston, TX 77031
4/4/2021
To: Pamela Hope Designs
Re: Installation of Wallcovering
Smith Residence
925 Split Elm
Spring, TX
Labor to prime with Zinsser Gardz primer and install selected wallcovering.
*Any additional wall preparation (floating, sanding, etc.) and associated labor/material costs to be determined after site visit.
Master Suite Accent – Thibaut T83030
5 double rolls (36” wide x 24’ long) $1,100.00
* Estimate good for 90 days
a. Environmental Conditions: Areas to receive wallcovering shall be environmentally controlled by the HVAC system. Maintain a temperature range of 65° – 85° degrees Fahrenheit, with less than 50% relative
humidity, for a period of not less than 4 days prior to installation and maintained thereafter.
b. Lighting: Sufficient lighting will be provided by the Owner/Contractor during the installation process. If required, temporary lighting will be provided to augment insufficient or low level permanent lighting.
c. Wall surfaces shall be clean, smooth and free from defects and imperfections.
d. Recommend surfaces be primed with Zinsser Primer.
e. Prior to permanent installation, installer will provide a test patch for each area that must be approved by client.
f. All areas to be left clean and free of debris.
Sincerely,
Janet Goodman
Relationship with Suppliers
Supplier tag for COM (customer’s own material)
Price shown here does not include the cost of the fabric needed to upholster the chair. Estimate of 7 yds. is based on a standard 54” wide fabric with no pattern repeat
Chapter 14
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Relationship with Suppliers
Published by Fairchild Books, an imprint of Bloomsbury Publishing Inc. Copyright © Bloomsbury Publishing Inc. 2013
Placing Orders – Purchase Order
Prepared by the designer on behalf of the client is specific; helps track products; and approved by the client
Highlights:
Contact information
Payment method
Product specifications
Quantity and costs
Delivery information
Special instructions
Approvals and signatures
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Relationship with Suppliers
The Purchase Order
Example here shows cross-referencing of two purchase orders for custom upholstered goods
Chapter 14
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