Explain how they are used in two specific examples of religious art and architecture.
Review the threaded discussion question posted by the course faculty. You are required to submit at least two (2) responses to this question by 11:59pm EST on Sunday. The first response should be to the faculty; the second response can be directed either to the faculty or to other students in the class. If by Thursday, there has not been any engagement from other classmates you may choose to make a second substantive post to the weekly threaded discussion question topic. You can create a new second post or elaborate on your first post by considering the pros and cons, discussing if you agree or disagree and why, generating questions and possible answers to the material, and thinking more critically about the weekly threaded discussion question. Please make engaging with your peers a priority, however, you can use this option in lieu of waiting to receive a response from a classmate or instructor if you need to work ahead. Your responses should be substantive and reflect analytical and critical thinking skills, as well as a thorough understanding of your reading assignment. A typical response should consist of 100-150 words in a single-spaced format. Refer to the TDQ Rubric below for more guidance on how to respond.
Please read below for your posting for this TDQ.
This week’s readings dealt with the art of Jewish, Early Christian, and Islamic communities. View the video narrated by Islamic art curator Deniz Beyazit at the Metropolitan Museum of Art in New York City at http://82nd-and-fifth.metmuseum.org/getting-lost and read the information on the website of the Victoria and Albert Museum in London in the supplemental readings for this week (http://www.vam.ac.uk/content/articles/c/calligraphy-in-islamic-art/). Since Islam prohibits the use of human figures in religious contexts, what decorative motifs are used instead? Explain how they are used in two specific examples of religious art and architecture.
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