in which you apply Morrisons ideas to Everetts Erasure ? Which characters do you think to adhere to ideas about American Africanism? Which char
in which you apply Morrison’s ideas to Everett’s Erasure
- Which characters do you think to adhere to ideas about American Africanism? Which characters do you think challenge those ideas? How and why might these characters believe in or challenge Africanist ideas? How might American Africanism influence how characters in the novel think or act? Do you think the characters who are trying to disrupt American Africanism are successful in the end? Why or why not?
- How is the novel constructing or imagining whiteness and blackness? Why might the novel be constructing or imagining whiteness and blackness in these ways? How and why might the portrayal of whiteness and blackness be linked in Erasure? How and why might characters of different races be affected by ideas about whiteness and/or blackness? Do you think Monk is always stuck in how blackness is constructed, or does he find a way to be his authentic self in the end? Is it possible to escape the social and cultural construction of race? Why or why not?
23 9 CHL 4] ¢ HARACTER
whileandeonstellations wheeled on. It would be dawn and then sun-y aly
ald, nid all ou c . hungry. But that would be to-morrow and nowhe Was a
get up and come won d cure that. His breathing was easier nowand he decided
whéiallmvost las ". and then he found that he had been asleep because he kney to
They wens os ns i “a night almost over. He couldtell that from the whippoorwith
tioned an cet ners now among the dark trees below him, constant and infl * Weaeren cease ae so that, as theinstant for giving over to
the daybirds a
little stiff -_ ate ere was no intervalatall between them. He got up. He W
outs les Fi wa ing would cure that too as it would the cold, and so
shes liquid sil “ Be te went ondow nthehill, toward the dark woodswith
: voices of the birds called unceasing—therapid and urgen
Was g on there
1 which
f > e ee . >
t bear of the urgent and quiring heart of thelate spring night. He did not look back8
1939
QUESTIONS
lL. ioeporn in Barn BURNING, Sarty thinks that “maybe” his father “couldn't h, i] 4 be whatheis (par. 40). What is Abner Snopes? Whatdesires, motives, yal ep
and views—especially of justice—seemto drive and explain him? What d se story imply about how and whyhe has become the man he is? What might beait!
rable, as well as abhorrent, about him? How does the narrative point of view Gen
your understandingof, and attitude toward, Abner? wae
. Howis Sarty characterized? Howis this characterization affected by the multi flashforwardsin the story and bythe waySarty’s thoughts are presented? Does gon
change over the course of the story? Howand why does he change or not chan e . What do each of the minor characters contribute to the story, especially Si o mother, sisters, and older brother? . =
TONI MORRISON
(b. 1931) Recitatif'
Born in Lorain, Ohio, a steel town on the shores of
Lake Erie, Chloe Anthony Wofford was the first
memberof her family to attend college, graduating
from Howard University in 1953 and earning an MA
from Cornell. She taught at both Texas Southern Uni-
versity and at Howard before becoming an editor at
Random House, where she worked for nearly twenty years. In such novels as TheBluest
Eve (1969), Sula (1973), Song of Solomon (19 77), 3eloved (1987), Paradise (1998), A
Mercy (2008), and Home (2012), Morrison t races the problems and possibilities faced
by black Americans struggling with slavery and its aftermath in the United States.
Morrisonis also a gifted and influential critic and essayist: Her oft-cited Playi
ng the
Dark. Whuteness and the Literary Imagination appeared in 1993, the sameyeat she
becamethefirst African American author to win the Nobel Prizefor Literature.
1. In classical music such as opera, a vocal passa gethat is sung in a speechlike manner.
FONT MORRISON RBecitatit 231
y mother danced all night and Roberta's was sick. That's why we were
taken to St. Bonny s. People want to put their ar ms around you when you
hem you were ina shelter, but it really wasn't bad. No big long roomwith
; hundred beds like Bellevue.* I herew ere four toa room, and when Roberta
one me ame, there was a shortage of state kids, so we were the only ones
antigned to 406 and could go roms bedto bed if we
wanted to. And we wanted
too. We changed beds every night and for the whole four months we were
ye never picked one out as our own permanent bed.
jt didn't start out that way. The minute I walked in and the Big Bozointro-
dus, | got sick to my stomach. It was on e thing to be taken out of your own
pad early in the morning—it was somethingelse to be stuck in a str ange place
with a girl from a W hole other race. An d Mary, that’s my mother, she was ri
ght.
Every now and then she would stop dancing long enough totell me som ething
important and one of the things she said was that they never washed their hair
and they smelled funny. Robertasure did. Smell funny, | mean. So when theBig
Bozo (nobody ever called her Mrs. It kin, just like nobody ever said St.
Bonaventure)—when she said, “Twyla, this is Roberta. Roberta,
this is Iwyla.
Make each other welcome.” I said, “My mo ther won't like you putting mein here.”
“Good,” said Bozo. “Maybe then she'll comeand ta ke you home.”
How's that for mean? If Roberta had laughed | wou ld havekilled her, but she
didn't. She just walkedover to the window and stood with her back to us.
“Furn around,” said the Bozo. “Don't be rude. Now ‘ Twyla. Roberta. When
you heara loud buzzer, that's the call for dinner. Come downto the first floor.
Anyfights and no mov ie.” And then, just to make sure we knew what we would
tell
to. there ¥
duce
be missing, “The Wiz rd of Oz.”
Roberta must have thought | meant that my mo ther would be mad about my
being put in the shelter. Not about roomin g with her, because as soon as Bozo
left she came over to me andsaid, “Is y our mothersick too?”
“No,” L said. “Shejust likes to danceall night.”
“Oh.” she noddedher head andI liked the way she unde rstood things so fast.
So for the momentit didn’t matter that we look ed like salt and pepper standing
there and that’s what theother kids called us some times. Wewere eight years
old and got F's all the time. Me because I cou ldn't remember what | read or
what the teacher said. And Roberta becaus e she couldn't read at all and didn't
evenlisten to the teacher. She wasn't good at an ything except jacks, at which
she Was a killer: pow scoo p pow scoop pow scoop.
We didn't like each otherall that much at fi rst, but nobody else wanted to
play with us because we weren't real orphans wit h beautiful deadparentsin the
sky. We were dumped. Even the New Yor k City Puerto Ricans and the upstate
Indians ignored us. All kinds of kids werein there, bl ack ones, white ones, even
two Koreans. The food was good, though. At least | tho ught so. Roberta hated it
and left whole pieces of things on herplat e: Spam, Salisbury steak—even jello
with fruit cocktail in it, and she didn't careif [ate wh at she wouldn't. Mary's
idea of supper was popcorn and a ca n of Yoo-Hoo. Hot mashedpotatoes an
d
two weenies was like Thanksgiving for me.
2. Large New York C ity hospital best k nown for its psychiatric wards
w
232° CH. 4) CHARACTER
10 acabad, St. Bonny’s. The big girls on the second floor Pusheg
wobbled theink then. But that wasall. T hey wore lipstick and eyebrow SASHTheareas ees while they watched TV. Fifteen, sixteen, even, some
fought their cnet girls, scared runaways most of them. Poor little girls wh
mean. The tatty reel but looked tough to us, and mean. God did they lo 0
tithes they : at ie to keep them separate fromthe younger children, buy aie danced ee = us watchingthem in the orchard where they played radios ai emis: ‘Wee eachother. 1 hey’d light out after us and pull our hair OF twist on
other one —_ neato sot them, Robertaand me, but neither of us Wanted ih
Wher we tan ae it. So we got a goodlist of dirty names wecould shout bact alware the athem through the orchard. I used to dream a lot
Hundveds oe ar was there. Two acres, four maybe, of these little apple trees
St. Bonab t em Empty and crooked like beggar womenwhen| first came to
orchand ue at with flowers whenI left. | don't know why I dreamtabout th; so much. Nothing really happened there. Nothing all that importan a
mean. Just the big girls dancing and playing theradio. Roberta and me vtchig Maggie fell downthere once. The kitchen womanwithlegs like parentheses i, ; the big girls laughed at her. We should have helped her up, 1 know, but we aid scared of those girls with lipstick and eyebrowpencil. Maggie couldn't talk Th kids said she had her tonguecutout, but I think she was just born that way: mu . She was old and sandy-colored and she workedin the kitchen. I don't knowif vt wasnice or not. I just rememberherlegs like parentheses and how she riche whenshe walked. She worked fromearly in the morningtill two o'clock, and if she waslate, if she had too muchcleaning and didn't get outtill two-fifteen or ‘o she'd cut through the orchard so she wouldn't miss her bus and have to seal another hour. She worethis really stupid little hat—a kid's hat with ear flaps— and she wasn't muchtaller than we were. A really awful little hat. Even for a mute, it was dumb—dressinglike a kid and never saying anythingatall.
“But what about if somebodytries to kill her?” | used to wonderaboutthat “Or whatif she wants to cry? Can she cry?” ,
“Sure,” Roberta said. “But just tears. No sounds comeout.”
“She can't scream?” “Nope. Nothing.”
1s “Can she hear?”
“T guess.” “Let's call her,” [ said. And wedid. “Dummy! Dummy!” She never turned herhead. “Bowlegs! Bowlegs!” Nothing. She just rocked on, the chin straps of her baby-
boy hat swaying from side toside. | think we were wrong.I think she could hear
and didnt let on. And it shames me even nowto think there was somebodyin
there after all who heard us call her those names and couldn'ttell on us.
20 Wegotalongall right, Roberta and me. Changed bedsevery night, got F'sin
civics and communication skills and gym. The Bozo was disappointed in us.
she said. Out of 130of us state cases, 90 were under twelve. Almostall were
real orphans with beautiful dead parents in the sky. We were the only ones
dumped and the only ones with F'sin three classes including gym. So we got
along—whatwithherleaving wholepiecesof things on her plate and beingnice
about not asking questions.
of then,
and almos,
ancy US Pencil g
TONI MORRISON Recitatif 233
thinkit was the daybefore Ma ggie fell down that we found o
ut our mothers
voming to visit us on the sameSunday. We had been at the shelter twenty-
y ‘days (Roberta twenty-eight and a half) and this wastheirfirst visit wit
h us.
ot hers would come at ten oclock in timefor chapel , then lunch with us
teachers. lounge. | thought if my danc ing mother met her sick motherit
be good for her. And Roberta thought her sick mother wouldget a big bang
fa dancing one. Wegot excited aboutit and curled each other's hair. After
‘ rast we sat on the bed watching the ro ad from the window. Roberta's socks
; still wet. She washed them thenight before and put them on the radiato r
were * They hadn't, but she put them on anyway becau se their tops were so
,_-scalloped in pink. Each of us had a purple constru ction-paper basket
ve had madein craft class. Mine had a yellowcrayon rabbit onit. Roberta 's
ra gs with wiggly lines of color. Inside were cellop hane grass and just the
hat ears because I'd eaten the two m arshmalloweggs they gave us. The Bi
g
jelly came herself to get us. Smiling she told us we looked very nice and to
pore downstairs. We were so surp rised by the smile we'd never seen be
fore,
neither of us moved, os. Ahh
“Don't you want to see your mommies?
| stoodup first andspilled thejelly beansall over the floor. Bozo’s smile dis-
appeared while we scrambledto get the candyupofft he floor and putit back
in the grass- . /
She escorted us downstairs to thefirst floor, wher e the othergirls were lining
up to file into the chapel. A bunch of grown-u ps stood to one side. Viewers
mostly. The old biddies who wantedservants and t he fags who wanted company
looking for children they might wantto adop t. Once in a while a grandmother.
Almost never anybody young or anybody whose f ace wouldn't scare you in the
night. Because if any of the real orphans had youngrel atives they wouldn't be
real orphans. I saw Mary right away. She had on those green slacks| hated and
hated even more nowbecause didn't she know we were going to chapel? And
that fur jacket with the pocketlinings so ripped she hadt o pull to get her hands
out of them. But her face was pretty—l ike always, and she smiled and wavedlike
she was thelittle girl looking for her mo ther—not me.
I walked slowly, trying not to drop the jelly beans and ho ping the paper
handle would hold. I had to use mylast Chiclet because by t he time I finished
cutting everything out, all the Elmer's was gone. Lam left-h anded and the scissors
never worked for me.It didn't matter, though; | might just as w ell have chewed
the gum. Marydroppedto her knees and grabbed me, mas hing the basket, the
jelly beans, and the grass into herratty fur jacket.
“Twyla, baby. Twyla, baby!”
{ could havekilled her. Already | heard thebig girls in the or chard the next
time saying, “Twyyyyyla, baby!” But| couldn't stay mad a t Mary while she was
smiling and hugging me and smelling of Lady Esther dusting powder . | wanted
to stay buried in her fur all day. Totell the truth I forgot about Roberta. Mary and
J
got in line for the traipse
into chapel and I wasfeeling proud because she looked so beau tiful even in
those ugly green slacks that made her behind stick out. A pret ty mother on
earth is better than a beautiful dead onein the sky evenif she did leave youal l
aloneto go dancing.
)234 CHL 4) CHARACTER
Tfelt ataPon my shoulder, turned, and saw Roberta smiling. | smj but not too S mile dappened eae jestsomebody think eee it was the biggest thing t Mate, Twila i i Ne " Roberta sale _ other, want you to mee
| looked u ; ue thats lwyla’s mother. / :
Shaso mac ti ! a seemedfor miles. Shewasbig. Biggerthan any man
Aged the s Iggest cross | d ever seen. I sw car it was six inches lon crook of her arm was the biggest Bible ever made.
Mary, simple-mindedas ever, grinnedandtried to yank her hand out aea the raggedy lining—to shake hands, | guess. Robert (00 vn at me and then looked downat Mary too. She didn't say anyth; Just grabbed Roberta with her Bible-free hand and stepped out ofline We ii . quickly to therear ofit. Mary was still grinning becauseshe's not too swifty me it Comes to what's really going on. Then this light bulb goes off in her head; nt she says “That bitch!” really loud and us almost in the chapel now, Orpanx nd Whining: the Bonny Angels singing sweetly. Everybody in the world ture aroundto look. And Mary would havekept it up—kept calling namesif| hat squeezedher handas hard as | could. That helpedalittle, but she still (Silchar and crossed and uncrossedherlegs all through service. Even groaned acoy i ol times. Whydid I think she would come there and act right? Slacks. No he like the grandmothers and viewers, and groaning all the while. When we stood for hymns she kept her mouth shut. Wouldn't even look at the words on the page. She actually reached in her purse for a mirror to check her lipstick. All] couldthink of was that she really neededto bekilled. The sermonlasted a ye andI knewthereal orphans were looking smug again. . We were supposed to have lunch in the teachers’ lounge, but Marydidnt
bring anything, so wepicked fur and cellophanegrass off the mashedjelly beans andate them. | could havekilled her. | sneaked a look at Roberta. Her mother had brought chicken legs and ham sandwiches and oranges and a whole box of chocolate-covered grahams. Roberta drank milk from a thermos while her
mother read the Bible to her. Things are not right. The wrong food is always with the wrong people. Maybe
that’s why[ got into waitress work later—to match uptheright people with the right food. Roberta just let those chickenlegssit there, but she did bring a stack of grahamsup to me later whenthe visit was over. I think she was sorrythat her mother would not shake my mother's hand. And liked that and | liked thefact
that she didn't sav a word about Mary groaning all the way through theservice
andnot bringing anylunch.
Roberta left in May whentheapple trees were heavy and white. Onherlast
dav we went to the orchard to watchthe big girls smoke and dance by the radio.
it didn’t matter that they said, “Iwyyyyyla, baby.” We sat on the ground and
breathed. Lady Esther. Apple blossoms.| still go soft when I smell one or the
other. Roberta was going home. Thebig cross and the big Bible was coming
get her and she seemedsort of glad and sort ofnot. | thought I would diein that
roomoffour beds without her and I knew Bozohad plans to move some other
dumpedkid in there with me. Roberta promised to write every day, which was
really sweet of her because she couldn't read a lick so how could she write any
body. | would have drawnpictures and sent them to her but she never gave ™
her address. Little by little she faded. Her wet socks with the pink scalloped
d back
hat CVe. t my room
and on hey
Beach way
: of the as Mother;
ar,
TONI MORRISON Recitatif 235
nd her big serious-looking eyes—that's all | could catch whenI tried to
phertomind,
| was working behind the counter at the Howard Johnson's on the Thruway
~ ot before the Kingston exit. Not a bad job. Kind of a long ride from New-
jus hy,’ but okay once I got there. Mine was the second night shift——clevento
pul “Very light until a Greyhound checked in for breakfast around six-thirty.
ae hour the sun wasall the wayclear of the hills behind the restaurant.
ALS vlc looked better at night—more like shelter—but | loved it when the
Ther’ ke in, even if it did showall the cracks in the vinyl and the speckled
Jooked dirty no matter what the mop boydid. ,
te was August anda bus crowdwasjust unloading. They would stand around
along while: going to the john,and looking at gifts and junk-for-sale machines,
Juctanttosil down sosoon. Even to eat. I was trying tofill the coffee pots and
we themall situated onthe electric burners when | saw her. She wassitting in a
Booth smoking a cigarette with two guys smothered in head andfacial hair. Her
own hair was $0 big and wild | could hardly see her face. But the eyes. | would
know them anywhere. She had ona powder-blue halter and shorts outfit and ear-
rings the size of bracelets. Talk about lipstick and eyebrowpencil. She made the
big gitls look like nuns. | couldn't get off the counter until seven oclock, but I
kept watching the booth in case they got up to leave before that. My replacement
was on time for a change,so | counted and stacked myreceipts as fast as | could
and signed off. | walked over to the booth, smiling and wondering if she would
remember me. Or even if she wanted to remember me. Maybe she didn’t want to
be reminded ofSt. Bonny’s or to have anybody knowshe waseverthere. | know
| never talked aboutit to anybody.
| put my hands in my apron pockets and leanedagainst the back of the booth
facing them.
“Roberta? Roberta Fisk?”
She looked up. “Yeah?”
“Twyla.” 40
She squinted for a second and then said, “Wow.”
“Remember me?” “Sure. Hey. Wow.” “It's been a while,” I said, and gave a smile to the twohairy guys.
“Yeah. Wow. You work here?” 45
“Yeah,” I said. “I live in Newburgh.”
“Newburgh? Nokidding?” She laughed then a private laugh that included the
guys but only the guys, and they laughed with her. What could | do but laugh too
and wonder why | was standing there with my knees showing out from underthat
uniform. Without looking | could see the blue and white triangle on my head, my
hair shapeless in a net, my ankles thick in white oxfords. Nothing could have been
less sheer than mystockings. There was this silence that came downrightafter |
laughed. A silence it was her turntofill up. With introductions, maybe,to her
boyfriends or an invitation to sit down and have a Coke. Insteadshelit a cigarette
off the one she'd just finishedandsaid, “We're on our wayto the Coast. He's got an
appointment with Hendrix.” She gestured casually toward the boynext to her.
a top>
pring w a
3. City on the Hudson River north of New York City.
SO
55
: ‘236° CHL 4 | CHARACTER
Hendrix? Fantastic,” | said. “Really fantastic. What's she doing now>" Roberta coughedon her cigarette and the two guys rolled their eyes yy.
ceiling, , Pat the
Hendrix, Jimi Hendrix, asshole. He's only the biggest—Oh, wow. Koy, Let as be ’ Was dismissed without anyonesaying goodbye,so| thought | would i i Me
“Tr, Or
How's your mother?” | asked. Her grin cracked her whole face. Shes owed, Fine,” she said. “How's yours?” “wal.
Pretty as a picture,” | said and turned away. The backs of my knees w damp. Howard Johnson's really was a dumpinthesunlight. vere
James is as comfortable as a houseslipper. He liked my cooking and | like his big loud family. They havelived in Newburgh all of their lives and at about it the way people do whohave always known a home. His grandmoth k 's a porch swing older thanhis father and when they talk aboutstreets and avenues and buildings they call them names they nolonger have. They still call the A & P* Rico's becauseit stands on property once a mom andpopstore owned by Mr. Rico. And theycall the new community college ‘Town Hall becauseit once was. Mymother-in-law puts upjelly and cucumbers and buys butter wrapped in cloth from a dairy. James and his father talk aboutfishin andbaseball and I can see themall together on the Hudsonin a raggedy skiff Half the population of Newburghis on welfare now, but to my husband's fam. ily it was still some upstate paradiseofa timelong past. A timeofice houses and vegetable wagons, coal furnaces and children weeding gardens. When our son was born my mother-in-law gave me the crib blanket that had been hers.
But the town they remembered had changed. Something quick wasin the air. Magnificent old houses, so ruined they had become shelter for squatters and rent risks, were bought and renovated. Smart IBM? people moved out of their suburbs back into the city and put shutters up and herb gardensin their backyards. A brochure came in the mail announcing the opening of a Food Emporium. Gourmetfood it said—andlisted items the rich IBM crowd would want. It was located in a newmall at the edge of town and I drove out to shop there one day—justto see. It was late in June. After the tulips were gone and
the Queen Elizabeth roses were open everywhere. | trailed my cart along the aisle tossing in smoked oysters and Robert's sauce and things | knew wouldsit in mycupboard for years. Only when I found some Klondike ice cream bars did I feel less guilty about spending James's fireman's salary sofoolishly. My father- in-lawate them with the same gustolittle Joseph did.
Waiting in the check-outline I heard a voice say, “Twyla!” The classical music piped over the aisles had affected me and the woman
leaning toward mewasdressed to kill. Diamonds on her hand, a smart hite
summerdress. “I'm Mrs. Benson,”I said. “Ho. Ho. The Big Bozo,” she sang.
4. Supermarket, part of a chain originally known as th e Great Atlantic and Pacific Tea Company.
5. The International Business Machine Corporation, whichhad its executive headquarters in Pough-
keepsie, New York.
ol aS
TONE MORRISON Recitatif 237 %
econdJ didn't knowwhatshewas talking about. She had a bunc h
., split s De fora a and twocartonsof fancy water.
paraee™., 60 “Roberta:
“pight. –
_ of Wek great,” she said. . _
en you. Where are you? Here? In Newburgh?’
“90 ‘ ‘Owe in Annandale.”
x is opening My mouth to say more whenthe cashier called my attention to
a y counter. / ;
wvfeetyou outside.” Roberta pointed herfinger and wentinto the expressline.
es .d the groceries and kept myself from glancing aroundto check Rober-
| place mi | remembered Howard Johnson's and looking for a chanceto speak
tas ai greeted with astingy “wow.” But she was waiting for me and her huge
ee leek now, smooth around a small, nicely shaped head. Shoes, dress,
and summeryand rich. | was dying to know what happenedto
n’s sake. Roberta.”
65
her empt
only hair as $
thing, lovely
oerate got from Jimi Hendrix to Annandale , a neighborhoodfull of doc-
ner, s nd IBM executives. Easy, | thought. Ev
erything is so easy for them. They
ors 4
think they own the world .
–
“How long,” | asked her. “Howlong have you been here?
“ year. | got married to a man wholives here. And you, y oure married too, 70
right?Benson, you said.”
“Yeah. James Benson.
“And is he nice?
“Oh, is he nice?
“Well, is he?” Roberta's eyes were steady as th ough she really meant the
estion and wanted an answer .
" “He's wonderful, Roberta. Wonderful.” 75
“So you're happy.”
“Very.” “That's good,” she said and noddedher head. “I always ho
ped you'd be happy.
Anykids? | knowyou havekids.”
“One. A boy. Howabout you?”
“Four.” 80
“Four?”
She laughed. “Step kids. He's a widower.”
“Oh?”
“Got a minute? Let's have a coffee.” —
I thought about the Klondikes melting and the inconve nienceof going all the 8s
way to my car and putting the bags in the trunk. Ser ved meright for buyingall
that stuff 1 didn't need. Roberta was ahead of me.
“Put them in mycar. It's right here.” And then I saw the dark blue limousine.
“You married a Chinaman?” “No,” she laughed. “He's the driver.”
“Oh, my. If the Big Bozo could see you now.” We both giggled. Really giggled. Suddenly,in just a pulse beat, twe
nty years
disappeared andall of it came rushing back. The big girls (whom we calle d gar
90
9S
100
10S
110
11s
120
d2¢ . 238 CH. 4 | CHARACTER
girls— Roberta's misheard word for the evil stone faces described jn ; class) there dancing in the orchard, the ploppy mashed potatoes, th ‘ Weenies, the Spamwith pineapple We ent itd the <offeeshon h t e double Oheanother. Pam with pineapple. We wentinto
the
coffee shop holding on another andI tried to think whywewere glad to see each otherthis tin,”
not before. Once, twelve years ago, we passed like strangers. A black Ime and Whitegirl meeting i sa rene “road and havi girl and g One 2 ul ing ina Howard Johnson's on the road and having nothingto Say
He in a blue and white triangle waitress hat—theother on her wayto see H ay, drix. Now we werebehavinglike sisters separated for much too long, Those ih short months were nothing in time. Maybeit was the thingitself, Just ben there, together. Twolittle girls who knew what nobodyelse in the world knew? how not to ask questions. Howto believe what had to be believed. There Woe politeness in that reluctance and generosityas well. Is your mothersick too? Ne she dancesall night. Oh—andan understanding nod. e, We sat in a boothby the windowandfell into recollection like veterans ‘Did you ever learn to read?”
; “Watch.” She picked up the menu. “Special of the day. Cream of corn soy Entrées. Two dots and a wrigglyline. Quiche. Chefsalad, scallops . . .”
I was laughing and applauding when the waitress cameup.
“Rememberthe Easter baskets?” “Andhowwe tried to introduce them?” “Your mother with that cross like two telephone poles.” “And yours with those tight slacks.” Welaughed so loudly heads turned and madethe laughter harder to suppress.
“What happenedto the Jimi Hendrix date?” Roberta made a blow-out sound withherlips. “When hedied I thought about you.” “Oh, you heard about him finally?” “Finally. Come on, | was a small-town country waitress.” “AndI was a small-town country dropout. God, were wewild.| still don’t know
howI got out ofthere alive.” “But you did.” “1 did. I really did. Now 'm Mrs. Kenneth Norton.” “Soundslike a mouthful.” “It is.” “Servants and all?” Robertaheld uptwofingers. “Ow! Whatdoes he do?” “Computers and stuff. What do | know?”
“| don't rememberahell of a lot from those days, but Lord, St. Bonny’s is &
clear as daylight. Remember Maggie? The dayshe fell down and those gar girls
laughedat her?” Roberta looked up fromher salad and stared at me. “Maggie didn't fall,” she
said. “Yes, she did. You remember.”
“No, Twyla. They knocked her down. Those girls pushed her down andtore
her clothes. In the orchard.”
“1 don't—that's not what happened.”
“Sure it is. In the orchard. Remember how scared we were?”
“Wait a minute. I don't rememberanyof that.&#
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