For each style covered in the unit, find at least one example of an interior component used in a modern way. Selections may inclu
For each style covered in the unit, find at least one example of an interior component used in a modern way. Selections may include entire rooms or specific items within an "interior" (furniture, fabric, use of space, etc.…). It must be interior not exterior! In this entry, please include styles from Art Deco, Elsie de Wolfe, Sister Parish, Dorothy Draper and Mid century Modern . This will be 5 separate pages, 1 for each style listed. (at least 200 words for each page)
TABLE OF CONTENTS Unit9 030 Art Deco
031 Elsie de Wolfe
032 Sister Parish
033 Dorothy Draper
034 Mid century Modern
030 Art Deco Most people feel luxurious when we first see Art Deco style. The style gets its name from the French acronym for "art decorative", which means "art deco". Art Deco is one of the most expensive and richest interior styles. It would be unimaginable without the aristocratic decor and refined furniture with a classic touch, luxurious chandeliers and rugs, an abundance of metals, antiques, paintings and other artworks. And there are many expensive and shiny materials you can see: gloss, polish, varnish and metal. Art Deco is decorative in nature, it likes very expensive materials – silver and gold, precious and semi-precious stones, animal skins, ivory, crocodile skins, precious woods. So it leaves a very deep impression. Generally decorated in high-end hotels, ships, clubs. As seen in the space with a plethora of premium materials. Such as polished marble, chrome in various golden materials. Advanced decoration. It also shows a sense of luxury.
031 Elsie de Wolfe
Elsie de Wolfe strongly disliked the Victorian surroundings she grew up in. She is known for especially hating William Morris furniture and wallpaper. After redecorating the house. she shared with Elisabeth Marbury, she made a smooth transition to working as a decorator, where She let her rebellious interior design ideas free to create a bright, airy and feminine environment. And she can be seen using ivory and light grey walls as a backdrop. She created a beautiful living room using light tulle curtains, mirrors, a mix of floral and leopard print accents, and light French furniture. Her style is best described as light, airy, comfortable and whimsical.
We can see that there are many continuations and inheritances in the modern decoration. Still retain some feminine environment. Light color atmosphere in the room. Light yellow tint. In the choice of materials and furniture. Full of optimism and white paint, comfy chairs with lights by the side, open fires and flowers on the fireplace and bright lighting all very close to the historic decor. Gives a feeling of warmth and comfort.
032 Sister Parish
Parish has its origins in the American country style, one of the most enduring decorating styles of the past half century. The look though – has a mix of quality English and French furniture, as well as painted chairs and tables, upholstered sofa covers with lush chintz, and dog and botanical prints on the walls. And can feel she loves homely through Create your own style with crochet and needlepoint rugs, patchwork quilts, gaudy painted floors and baskets a lot, all arranged in a clever but unstudied way.
We can feel that the color tone of the whole space is bright. The light white and bright ambience is the first impression. The main element of botanical printing gives a natural and vibrant feeling. Patterns adorn the space and make the style even more distinct.
033 Dorothy Draper
Dorothy Draper is very anti-minimalist in style, using bright, vibrant colors and large prints that cover entire walls. She incorporates black and white tiles. Huge black-and-white checkerboard floors, delicate plaster moldings and stripes so wide that they had to be hand- painted, while her signature cabbage rose chintz featured clusters of blooming flowers. When it comes to interior color choices, opt for a vibrant, saturated color scheme with plenty of chartreuse, deep red, sky blue and shimmering black.
We can see a very strong personal style in this space. The strong clash of colors and the fusion of elements make this style very memorable. And she incorporates a lot of plant elements to make the space very vibrant and natural. The interior patterns are very attractive and the floral elements reflect Dorothy Draper's optimism.
034 Mid-century Modern This is the Mid-Century Modern Herman Miller Marshmallow Sofa. This sofa was designed by George Nelson. He invented an injection-molded plastic disc, which he insisted was inexpensive to produce and durable. The designer took a look and arranged 18 of them on a steel frame. This is the original version of the Marshmallow sofa. The unique look and eye-catching appeal of this sofa is achieved by connecting the individual elements so that they appear to be floating in the air. It's funny when you see this type of sofa. The circular cushions reminiscent of marshmallows are all a high stool seat mounted on a metal disc frame, creating an overall geometric design. Colorful sofas are considered symbols of modern and contemporary design.
The modern version continues the geometric design feel of the historical version. The overall design is very layered. But you can also feel that it seems to have changed a lot, both in material and structure. But it seems more comfortable to sit up.
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Unit 8 : Interior, Decoration and Originality in Design
Unit 9:Mid Century Modern and Pop
Jordyne McNeil Professor Barrido
INDS 211 March 2022
Table of Contents
Elsie de Wolfe Trellis Design Page 3
Sister Parish Pattern Design Page 4
Dorothy Draper Geometric Design Page 5
Originality in Design LC2 Grand Comfort Page 6
Mid Century Modern Molded Plywood Chair Page 7
Pop Panton Chair Page 8
Elise de Wolfe The classical Trellis room on the left was designed by Elise de Wolfe for the New York Country Club.This room had a 3D grid pattern (vine clad walls) with a soft color palette and included a great use of space. The modernized version of the Trellis room looks like it was a living room that included a soft turquoise color, the clad wall grids and a wooded square flannel floor.I liked the adding of the floral pattern in the semicircle above the fireplace. Between both versions of the Trellis rooms, I love the classical version the best because of the vine clads having plants in them and also the authenticity of the room.
Classical Modern
Sister Parish
Classical Modern
The Sister Parish designs are a mix of conservative and pattern, which I admire design idea so much. Parish uses patterned upholstery on rugs and curtains, like the ones seen in her classical design in the White House. The Modern design , in my opinion, is over pattern dor has a clash of patterns. This would be a high stylized Sister Parish design. Out of both of the designs, the classical design is better. The classical design is more subtle, well balanced and spaced out, even with a clash of patterns.
In this view, the Draper design was variations of
blue with a white molding and flooring (marble) to give
off a calming aura.
Dorothy Draper
Classical
Dorothy Draper design was a bold, upholstery patterned,
with a side of clashiness. She also used some geometric and vertical/horizontal line works.
Modern
This modernized Draper design was in the TV show,
Jane the Virgin. The room had blue and white furnishings
with a collection of patterns which actually meshed will
with their outfits.
Modern Modern
I personally like the classical version of Dorothy Draper
design. I think her color themes went together better
than the modernized renditions.
Classical The originality to a design definitely brings out its Pureness especially in the materials. Though there are different versions, the originality of a specific piece is always important. When a reversion of a familial piece is done, we see a lot of price variations, which can surpass the price of the original piece, even it’s knock offs. Though I like the classical version, money wise, I would agree with the modernized design.
Modern
Originality in Design
Classical The classical version of this chair was made by a stain wood that is very much a low seating chair. It also has severe legs in the back but also event for legs in the front as well with a little spinal leeway for back support it also an actual backrest. I like the stain color of this chair.
Modern
The chairs abovdare really much innovative even they kept the same exact format as the class or chair. For the trails exactly like the model format of the classical chair, this has Sterlings steel legs with a geometric severe like legging will consist of the same exact wood pattern for the back and also for the seat. The other chair is interesting because not only is the shipping of the seat in the back connected with a single put a wood there is also a which type of a curved armrest with also Sabre legs.
Mid Century Modern
Pop The patent chair made by Vernon during the Pop Erawas a nice interesting flow without any back support with the stable legs that were nonexistent. The pressure that she would use while sitting down the chair wouldn’t go strictly to the missing legs in the back of the chair. I think this chair color is very nice and very spunky to be use for a wide range of abstract rooms are also a room and he’s a little bit of color cohesion. For the modern version I like how they had a little Bit of cushions. We also added wheels so it can be easier to slide across floors and also easier to move in separate rooms, but the classical one does not have chairs meeting that you have the scoot or lift up the chairs make sure they won’t be leaving any marks in the floor. I think for comfort wise I would like the modernized version better just because it has cushion, but for artistic and for a room to not be so blend so boring, I would close the classical version because it has as nice flow to it and doesn’t really disturb any other piece of furniture.
Classical Modern
Work Cited ● Elsie de Wolfe – INDS-211-N01-22899.202220 (scad.edu) ● Sister Parish – INDS-211-N01-22899.202220 (scad.edu) ● Dorothy Draper – INDS-211-N01-22899.202220 (scad.edu) ● Originality in Design – INDS-211-N01-22899.202220 (scad.edu) ● Charles (1907-1978) and Ray Eames (1912-1988) – INDS-211… (scad.edu) ● Verner Panton (1926-1998) – INDS-211-N01-22899.202220 (scad.edu) ● Decorator Elsie de Wolfe Took L.A. by Storm in the 1940s | Architectural Digest ● Appleton Wallpaper – Sister Parish (sisterparishdesign.com) ● Dorothy Draper- Rhododendron Wallpaper (Mint) (greenbrier.com) ● LC2 – Fauteuil Grand Confort Chair – SIDE Gallery (chairlibrary.com) ● (186) Pinterest ● https://www.bing.com/newtabredir?url=https%3A%2F%2Fwww.architecturaldigest.com%2Fgallery%2Fhow-to-add-sister-parish
-influenced-design-to-your-home%2Fall ● Creatives We Love_ Dorothy Draper – Restless.Design ● the b301 chair – Google Shopping ● molded plywood chair – Bing images ● Eames Molded Plywood Dining Chair Metal Base – CA Modern Home ● Verner Panton for Fritz Hansen Iconic Lounge Chair Model G in Leather For Sale at 1stDibs
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