there are 5 questions to answer for this exam. Like the take

there are 5 questions to answer for this exam. Like the take home midterm, these are research type questions and you are allowed to use your notes, slides, the text, articles and of course any music and videos on canvas as reference. Be very detailed in your responses. Each question is worth 10 points and should be 2 paragraph minimum (roughly half a page for each answer.) (10 points) Jazz in the 60’s developed a social consciousness that reflected changes in society and culture, discuss two social justice themes or issues jazz at this time dealt with and describe with detail an example for each (artist, album or song)?(10 points) The word freedom has long been associated with Jazz of the 1960’s. Not only for the apparent cultural and social connotations but also for the direct musical manifestations of the word. Several major characteristics of Jazz were altered by this sense of exploration. Please discuss these style changes that occurred in the sixties. Be sure to comment on how melody, harmony, rhythm, form, ensemble playing and sound ‘individuality’ were all affected by freedom.(10 points) Briefly describe fusion style characteristics, (including instrument choices, sound effects, structure, and jazz elements versus rock elements). What is the difference between early 70’s and later 70’s fusion in terms of sound and style, give detailed examples of artists, songs, albums etc. What happened to fusion in the late 70’s that ‘threatened’ jazz’s future?4.(10 points) Identify the three reasons how, in the 1980’s, neo-traditional jazz developed into a new style and surged in popularity? Who were the significant players (old and young) in the 80’s that helped neo-traditional jazz become the new dominant style?(10 points) Both neo-traditional jazz and post-modern jazz are styles that utilize deconstruction and synthesis. Yet, these two styles were cast as opposites in the 80’s and 90’s. How do these two styles differ in their approaches to the Jazz DNA and jazz history? How are these styles actually similar in process, approach, and philosophy?