Gabriel Garcia Marquez suggests in his Nobel Peace Prize acc
Gabriel Garcia Marquez suggests in his Nobel Peace Prize acceptance speech, ‘The Solitude of Latin America,’ that the fabulous/fantastical elements of his fiction, and of the literature popularly discussed as Magical Realism broadly, are not actually fantastic at all—rather, they are reflections of the incredible ‘outsized reality’ that has been the true history of Latin America since its first encounter with European colonial forces. In short, Marquez says that because the real cultural history of Central and South America is so unimaginable, the stories about it must be somewhat unimaginable (or rather, imaginative) in order to accurately express the truth of its heritage. With this in mind, please choose one story or poem that we have read in the last two weeks and analyze it for the magic and symbolism—related perhaps to colonial encroachments, political corruption, labyrinthine bureaucracy, or extreme cultural/emotional experiences—that you perceive in the work, being careful to explain where and how you are able to read the symbolism you identify.
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