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Get it written →Unpack: Ari Heinrich argues,
More than Blood Work, Dirty Pretty Things, or Made in Hong Kong, The Eye engages intra- and intertextually with the real effects of visual technology on its own medium. In its use of generic elements of horror combined with subversively self-reflexive treatment of the mechanics of vision, audience, identity, and anxiety, in other words, The Eye may be a kind of Rear Window for the trans (transnational, transgenre, transgressive) age.
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