Module 4 Worksheet 3
41734For your third and final worksheet, you’ll apply what you’ve learned from your reading of the textbook and additional web resource toward analyses of select artworks. Once your grades are posted, you can then use my feedback to enhance your understanding and apply these concepts toward your final project analyses. Using 3-4 sentences each, answer the questions below. Make sure your answers are thoughtfully written and edited for errors in spelling and punctuation. Then, submit your answers by posting them to the dropbox by the due date. This assignment is worth 10 points toward your overall grade.
Cautionary note: Please make sure and use your own words in your answer. Don’t lift or slightly reword entire passages from your textbook or an online source. This is considered plagiarism, for which you’ll receive no credit. Use your textbook to provide factual support for your own description of these works.
Jean Auguste Dominique Ingres, Portrait of Madame d’Haussonville, ca. 1842, graphite on paper https://www.harvardartmuseums.org/art/296779
In what ways does Ingres choice of materials influence the character of this drawing? How would you describe his line work? Refer to the description of his drawing of Mallet on p. 78 of your textbook. Also, consult this resource for more on the inherent qualities of drawing.
Chaim Soutine, Still Life with Rayfish, ca. 1924, oil on canvas
https://upload.wikimedia.org/wikipedia/commons/b/b5/Still_Life_with_Rayfish_MET_DT4177.jpg
In what ways does Soutine’s choice of materials influence the character of this painting? How would you describe his brushstroke? Refer to the description of Daumier’s painting on p. 79 of your textbook to help you better understand the qualities of oil paint. Also, consult this resource for more on the inherent qualities of oil paint.
Kathe Kollwitz, Memorial for Karl Liebknecht, 1919, woodcut
https://www.wikiart.org/en/kathe-kollwitz/not_detected_235973?utm_source=returned&utm_medium=referral&utm_campaign=referral
In what ways does Kollwitz’s choice of materials influence the character of this print? Is this a relief or an intaglio print? How is this visually evident? Refer to the discussion of woodcut printmaking on pp. 83-84 of your textbook. Also, consult this resource for more on the inherent qualities of woodcuts.
Benvenuto Cellini, Perseus with the Head of Medusa, 1545, bronze
https://s-media-cache-ak0.pinimg.com/564x/ac/fd/72/acfd72e7ad2cb5a42bd2865b7775e52b.jpg and https://upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Persee-florence.jpg/240px-Persee-florence.jpg
In what ways does Cellini’s choice of materials influence the character of this sculpture? Is this created through an additive (building up) or subtractive (removal) technique? How is this visually evident? Refer to the discussion of sculpture on pp. 87-90 of your textbook. Also, consult this resource for more on the inherent qualities of bronze sculpture.
5) Frank Lloyd Wright, Fallingwater, 1935, Mill Run, PA
In what ways does Wright’s use of materials and overall design influence the character of this home? How would you describe his use of space? Refer to the discussion of architecture on pp. 90-96 of your textbook. Also, consult this resource for more on this building.
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