Writer Choice
38573Select one of the five film clips below. Identify a portion of the clip that you want to discuss, addressing in particular the various functions of the music with the clip. Keep in mind the relevance of the techniques of narrative film, and interaction with the music, sound effects and dialogue. (use parenthetic times to clarify points in the clip).
In your post, you are encouraged to use the appropriate terminology that you are acquiring from the lessons. Think of this as an opportunity to utilize the O.A.R.S. model in examinig the material.
Here are the five clips:
Silverado (http://courses.aandapsu.edu/music004/node/1114)
Dances wit Wolves (http://ourses. aanda.psu.edu/music004/node/1115
Unforgiven clip 1 (http://courses.aanda/psu.edu/music004/node/1116)
Unforgiven clip 2
(http://courses.aanda/psu.edu/music004/node/1117)
Unforgiven Clip 3 (https://courses/aanda/psu.edu/music004/node/1118)
Begin your examination of the clip with the following:
Select a start time and a stop time for your analysis. It doesn’t have to be the complete length of teh “topic” you have selected. You may want to focus on only a portion of the selected clip.
Always count the shots in your selected clip.
Identify any implied temporal ellipses and observe which techniques of narrative film have contributed to conveying the passage of a period of time, from one shot to the next.
Begin your initial post with a header identifying the start and top times you have selected, and the number of shots contained in your selected clip. Also, identify temporal ellipses, if any.
An example: “Silverado;
Selected clip: 0:00 to 1:27, 24 shots, no discernible temporal ellipses.
Also, identify any music present in the selected clip as either diegetic or nondiegetic example: “diegetic music starts at 1:13 with the cut ot the beach scene, stops at 2:42 when it can no longer be heard.
Identifying specifically the presence of both diegetic nusic and /or nonkiegetic music within the selected ckip will facilitate addressing the purposes and functions of the music i relation to tehtechniques of narrative film. Details such as the ue=ins and cue-outs of nondiegetic music, or the presence of diegetic music in a scene – ae well planned, ad they acquire significance when considered in relationship to techniques of narative film.
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